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Charles Pulliam-Moore

Charles Pulliam-Moore

Film & TV Reporter

Charles Pulliam-Moore is a Film & TV writer for The Verge focusing on genre entertainment and how disparate, fandom-specific conversations coalesce into what we know as "the discourse."

Before coming to The Verge, Charles wrote about comic books, labor, race and a multitude of other topics at io9 and Gizmodo, and his writing has also been featured on NPR's Code Switch blog.

When he isn't reading the source material for a piece or decompressing with a comfort horror movie, Charles is usually somewhere on his bike.

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Napoleon: The Director’s Cut has invaded Apple TV Plus.

Ridley Scott’s Napoleon was already huge (runtime-wise) when it hit Apple TV Plus back in March, but with “48 minutes of new, never-before-seen footage,” the new Director’s Cut that has just hit the streamer (right on time for Labor Day weekend) is even bigger.


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Here’s how Marvel got Cassandra Nova’s fingers all up in everyone’s business.

Emma Corrin’s Cassandra Nova was the highlight of Deadpool & Wolverine, and this new behind-the-scenes VFX breakdown shows off how crucial her performance was to making the movie’s disgusting take on telepathy work.


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Long Story Short: the man who brought us BoJack Horseman is coming back to Netflix.

Rather than celebrating the ten year anniversary of BoJack Horseman’s premiere by bringing the show back, Netflix has greenlit a new animated series from Raphael Bob-Waksberg that will feature art from Lisa Hanawalt.


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Rotten Tomatoes seems to be losing the plot.

Rotten Tomatoes says its new “Verified Hot” badge is meant to help users find movies with high audience approval. But as Engadget points out, the whole system hinges on people using Fandango for verification that they’ve actually seen the films, which — given that both Rotten Tomatoes and Fandango are owned by Comcast — kinda makes the badges seem like a ticket-selling marketing ploy.